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Maler Heinrich Hoerle [Painter Heinrich Hoerle]
Maler Heinrich Hoerle [Painter Heinrich Hoerle]

Maler Heinrich Hoerle [Painter Heinrich Hoerle]

Artist (German, 1876 – 1964)
Date1928/1974
Period20th century
Mediumgelatin silver print
DimensionsObject Size: 11 1/4 x 8 1/4 inches
Credit LineGift of an anonymous donor
Object number2014.082
Curatorial DepartmentModern & Contemporary Art
_Place of OriginUnited States
Maler Gottfried Brockmann [Painter Gottfried Brockmanm]
Maler Gottfried Brockmann [Painter Gottfried Brockmanm]
August Sander
1924/1974
Object number: 2014.079
The Painters Anton Räderscheidt and Marta Hegemann
The Painters Anton Räderscheidt and Marta Hegemann
August Sander
c. 1924/1974
Object number: 2014.080
The painter Willi Bongartz
The painter Willi Bongartz
August Sander
1924/printed 1974
Object number: 2015.030
The painter Gerd Arntz
The painter Gerd Arntz
August Sander
1929/printed 1974
Object number: 2015.031
The painter Otto Freundlich
The painter Otto Freundlich
August Sander
1929/printed 1974
Object number: 2015.032
The Painter Otto Dix and Wife
The Painter Otto Dix and Wife
August Sander
1926/printed 1974
Object number: 2018.339
The Painter Jankel Adler
The Painter Jankel Adler
August Sander
1929/printed 1974
Object number: 2018.340
Raoul Hausmann as Dancer
Raoul Hausmann as Dancer
August Sander
1929/1974
Object number: 2014.081
Dadaist Raoul Hausmann
Dadaist Raoul Hausmann
August Sander
1930/printed 1974
Object number: 2017.312
Atakapa III
Atakapa III
Ludwig Sander
1968
Object number: 1988.126
Remains of the Claudian Aqueduct (Aqua Claudia) in the Roman Campagna
Remains of the Claudian Aqueduct (Aqua Claudia) in the Roman Campagna
Arnold Ludwig August Overbeck
c. 1855–57
Object number: 2014.021
62. Clatsop County, Oregon. Photographs are silent but the destruction of a forest is not. Pablo Neruda remembered that his “homeland of wood . . . died in the screeching of sawmills.” Barry Lopez, in describing a stranding of whales on the Oregon coast, likened the cry of a whale to “the sound a big fir makes breaking off the stump just as the saw is pulled away. A thin screech.” Landscape painter Emily Carr referred to stumps, which she painted with compassion, as “screamers.” From Turning Back, A Photographic Journal of Re-exploration
62. Clatsop County, Oregon. Photographs are silent but the destruction of a forest is not. Pablo Neruda remembered that his “homeland of wood . . . died in the screeching of sawmills.” Barry Lopez, in describing a stranding of whales on the Oregon coast, likened the cry of a whale to “the sound a big fir makes breaking off the stump just as the saw is pulled away. A thin screech.” Landscape painter Emily Carr referred to stumps, which she painted with compassion, as “screamers.” From Turning Back, A Photographic Journal of Re-exploration
Robert Adams
1999–2003
Object number: 2006.026.062