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Native Woman

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Native Woman

Artist Tobias Schneebaum (American, 1921 – 2005)

Period20th century

Mediumlithograph on paper

DimensionsImage Size: 12 3/4 x 10 inches
Mat Size: none
Object Size: 12 3/4 x 10 inches

Credit LineGift of Scott Sherman

Object number1986.168

Curatorial DepartmentModern & Contemporary Art

_Place of OriginUnited States

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Image Not Available

Tobias Schneebaum

Object number: 1986.147

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Tobias Schneebaum

Object number: 1986.165

Tobias Schneebaum

Object number: 1986.171

Tobias Schneebaum

Object number: 1986.178

(En choeur): “Le soleil est si beau!” (à part) coquin de temps! (en choeur): “Et puis de ma Bretagne le soleil est si beau!…” Vive Loisa Puget!!!!!……
[(Chorus) “The sun shines so bright!” (aside) What foul weather! (Chorus) “O my native Brittany, where glows the sun so bright…” Hurrah for Loisa Puget!]
from the series Les Musiciens de Paris, number 3, published in La Caricature (Deuxième Publication)

(En choeur): “Le soleil est si beau!” (à part) coquin de temps! (en choeur): “Et puis de ma Bretagne le soleil est si beau!…” Vive Loisa Puget!!!!!……
[(Chorus) “The sun shines so bright!” (aside) What foul weather! (Chorus) “O my native Brittany, where glows the sun so bright…” Hurrah for Loisa Puget!]
from the series Les Musiciens de Paris, number 3, published in La Caricature (Deuxième Publication)

Honoré Daumier

October 31, 1841

Object number: 2014.183

51. An eroding clearcut, Pacific County, Washington. Erosion is an inevitable consequence of clearcutting. No people in history have clearcut without damaging the soil. If one turns a globe—China, India, the Near East, Europe, the eastern seaboard reminded that some degree of long-term deforestation has been the rule with clearcutting, and that this in turn has resulted in the diminishment of whole societies. Significantly, China has recently “stopped clearcutting native forests” and has “subsidized retraining of hundreds of thousands of loggers.” (The Oregonian, January 25, 2004) From Turning Back, A Photographic Journal of Re-exploration

51. An eroding clearcut, Pacific County, Washington. Erosion is an inevitable consequence of clearcutting. No people in history have clearcut without damaging the soil. If one turns a globe—China, India, the Near East, Europe, the eastern seaboard reminded that some degree of long-term deforestation has been the rule with clearcutting, and that this in turn has resulted in the diminishment of whole societies. Significantly, China has recently “stopped clearcutting native forests” and has “subsidized retraining of hundreds of thousands of loggers.” (The Oregonian, January 25, 2004) From Turning Back, A Photographic Journal of Re-exploration

Robert Adams

1999–2003

Object number: 2006.026.051

53. An eroding clearcut, Pacific County, Washington. Erosion is an inevitable consequence of clearcutting. No people in history have clearcut without damaging the soil. If one turns a globe—China, India, the Near East, Europe, the eastern seaboard reminded that some degree of long-term deforestation has been the rule with clearcutting, and that this in turn has resulted in the diminishment of whole societies. Significantly, China has recently “stopped clearcutting native forests” and has “subsidized retraining of hundreds of thousands of loggers.” (The Oregonian, January 25, 2004) From Turning Back, A Photographic Journal of Re-exploration

53. An eroding clearcut, Pacific County, Washington. Erosion is an inevitable consequence of clearcutting. No people in history have clearcut without damaging the soil. If one turns a globe—China, India, the Near East, Europe, the eastern seaboard reminded that some degree of long-term deforestation has been the rule with clearcutting, and that this in turn has resulted in the diminishment of whole societies. Significantly, China has recently “stopped clearcutting native forests” and has “subsidized retraining of hundreds of thousands of loggers.” (The Oregonian, January 25, 2004) From Turning Back, A Photographic Journal of Re-exploration

Robert Adams

1999–2003

Object number: 2006.026.053

52. An eroding clearcut, Pacific County, Washington. Erosion is an inevitable consequence of clearcutting. No people in history have clearcut without damaging the soil. If one turns a globe—China, India, the Near East, Europe, the eastern seaboard reminded that some degree of long-term deforestation has been the rule with clearcutting, and that this in turn has resulted in the diminishment of whole societies. Significantly, China has recently “stopped clearcutting native forests” and has “subsidized retraining of hundreds of thousands of loggers.” (The Oregonian, January 25, 2004) From Turning Back, A Photographic Journal of Re-exploration

52. An eroding clearcut, Pacific County, Washington. Erosion is an inevitable consequence of clearcutting. No people in history have clearcut without damaging the soil. If one turns a globe—China, India, the Near East, Europe, the eastern seaboard reminded that some degree of long-term deforestation has been the rule with clearcutting, and that this in turn has resulted in the diminishment of whole societies. Significantly, China has recently “stopped clearcutting native forests” and has “subsidized retraining of hundreds of thousands of loggers.” (The Oregonian, January 25, 2004) From Turning Back, A Photographic Journal of Re-exploration

Robert Adams

1999–2003

Object number: 2006.026.052

Native American scene

Native American scene

c. 1970

Object number: 2020.023

Seated Woman (Horizontal)

Seated Woman (Horizontal)

Rosemarie Beck

c. 1960

Object number: 1986.144

Image Not Available

Rosemarie Beck

c. 1960

Object number: 1986.143

Image Not Available

Reginald Murray Pollack

Object number: 1986.156