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Fuge, Dilecti Mi
Fuge, Dilecti Mi

Fuge, Dilecti Mi

Artist (British, 1882 – 1940)
Date1930
Period20th century
Mediumengraving on paper
DimensionsImage Size: 2 3/4 x 2 3/4 inches
Object Size: 6 5/8 x 4 1/4 inches
Credit LineGift of Julia Emerson ’65
Object number1991.036
Curatorial DepartmentModern & Contemporary Art
_Place of OriginUnited Kingdom
Untitled, drawing for the sculpture Mute
Untitled, drawing for the sculpture Mute
Eric Nelson
1995
Object number: 2010.020
Image Not Available for Fireworks over the Center for the Arts, Oct 9, 1992
Fireworks over the Center for the Arts, Oct 9, 1992
Eric Borg
1992, October 9
Object number: 1994.008
Untitled, maquette for the sculpture Mute
Untitled, maquette for the sculpture Mute
Eric Nelson
1995
Object number: 2010.021
Dodge
Dodge
Eric Nelson
1992
Object number: 2010.019
Whiteface Mountain
Whiteface Mountain
Eric Sloane
April 30, 1946
Object number: 1970.116
Image Not Available for Commotion: Converse and Grasp
Commotion: Converse and Grasp
Eric Nelson
early 1990s
Object number: 2017.026.1
Image Not Available for Commotion: Converse and Grasp
Commotion: Converse and Grasp
Eric Nelson
early 1990s
Object number: 2017.026.2
–Si vous saviez comme vous êtes jolie! faites semblant de jouer. –Taisez-vous do. –Vous ne m’aimez pas si. –Et je serai toujours! la mi. [–If only you knew how pretty you are! Pretend you are playing! –Be quiet do –You don’t love me! si –I’ll always be yours! la mi] from the series Les Musiciens de Paris, number 6, published in Le Charivari
–Si vous saviez comme vous êtes jolie! faites semblant de jouer. –Taisez-vous do. –Vous ne m’aimez pas si. –Et je serai toujours! la mi.
[–If only you knew how pretty you are! Pretend you are playing! –Be quiet do –You don’t love me! si –I’ll always be yours! la mi]
from the series Les Musiciens de Paris, number 6, published in Le Charivari
Honoré Daumier
published March 6, 1843
Object number: 2014.186
Ni más mi menos [Neither more nor less] from the series The Return to Goya’s Caprichos
Ni más mi menos [Neither more nor less] from the series The Return to Goya’s Caprichos
Enrique Chagoya
1999
Object number: 2008.019.06
Baigneuse debout, à mi-jambes
Baigneuse debout, à mi-jambes
Pierre Auguste Renoir
1910
Object number: 2001.017
Guilford Wiley Wells Law Office, Holly Springs, MI.
Guilford Wiley Wells Law Office, Holly Springs, MI.
Anonymous (American)
c. 1862-63
Object number: 1986.005
–Pour un lapin, voilà un fier lapin….. aussi on l’a mis dans un endroit grillé!… –Je crois qu’on aurait même bien fait de le museler!… [–Quite a hare… not bad for a hare!… good idea to keep him behind bars. –I think they also should have muzzled him.] from the series L’Exposition des Animaux [The Animal Fair], number 4, published in Le Charivari
–Pour un lapin, voilà un fier lapin….. aussi on l’a mis dans un endroit grillé!…
–Je crois qu’on aurait même bien fait de le museler!…
[–Quite a hare… not bad for a hare!… good idea to keep him behind bars.
–I think they also should have muzzled him.]
from the series L’Exposition des Animaux [The Animal Fair], number 4, published in Le Charivari
Honoré Daumier
published June 16, 1856
Object number: 1968.011