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Esta no lo es menos [This is not less so], Plate 67, from Los Desastres de la Guerra [The Disasters of War]
Esta no lo es menos [This is not less so], Plate 67, from Los Desastres de la Guerra [The Disasters of War]

Esta no lo es menos [This is not less so], Plate 67, from Los Desastres de la Guerra [The Disasters of War]

Artist (Spanish, 1746 – 1828)
Date1810–1814
Period19th century
MediumAquatint on paper
DimensionsObject size: 5 5/8 × 7 3/8 inches
Mat size: 14 × 19 inches
Credit LineGift of Dr. and Mrs. Fletcher McDowell (Electra Bostwick, Class of 1955)
Object number1969.028
Curatorial DepartmentEuropean Art (pre 1900)
_Place of OriginSpain
Las camas de la muerte [The beds of death], Plate 62, from Los Desastres de la Guerra [The Disasters of War]
Las camas de la muerte [The beds of death], Plate 62, from Los Desastres de la Guerra [The Disasters of War]
Francisco Goya y Lucientes
1810–1814; later printing
Object number: 1969.029
No Quieren [They do not want to], Plate 9, from Los Desastres de la Guerra [The Disasters of War]
No Quieren [They do not want to], Plate 9, from Los Desastres de la Guerra [The Disasters of War]
Francisco Goya y Lucientes
1810–1814
Object number: 1969.027
Muertos recogidos [Harvest of the dead], Plate 63, from Los Desastres de la Guerra [The Disasters of War]
Muertos recogidos [Harvest of the dead], Plate 63, from Los Desastres de la Guerra [The Disasters of War]
Francisco Goya y Lucientes
1810–1814
Object number: 1969.030
Aun podran servir [They can still be of use], Plate 24, from Los Desastres de la Guerra [The Disasters of War]
Aun podran servir [They can still be of use], Plate 24, from Los Desastres de la Guerra [The Disasters of War]
Francisco Goya y Lucientes
1810–1814
Object number: 1969.031
Espiro sin remedio [There was nothing to be done and he died], Plate 53, from Los Desastres de la Guerra [The Disasters of War]
Espiro sin remedio [There was nothing to be done and he died], Plate 53, from Los Desastres de la Guerra [The Disasters of War]
Francisco Goya y Lucientes
1810–1814
Object number: 1969.032
Photo: Tad Merrick, 2010
Disparate ridículo [Ridiculous Folly], plate 3 from Los proverbios [The Proverbs]
Francisco Goya y Lucientes
c. 1816
Object number: 1993.007
Ni más mi menos [Neither more nor less] from the series The Return to Goya’s Caprichos
Ni más mi menos [Neither more nor less] from the series The Return to Goya’s Caprichos
Enrique Chagoya
1999
Object number: 2008.019.06
Laughing Children, Cinco de Mayo Celebration, Los Angeles
Laughing Children, Cinco de Mayo Celebration, Los Angeles
Lou Stoumen
1950
Object number: 2016.323
Space in Between – Nopal (Rosa E De Los Santos)
Space in Between – Nopal (Rosa E De Los Santos)
Margarita Cabrera
2016
Object number: 2023.005
Image Not Available for Lo, Thoughtful by the Lake
Lo, Thoughtful by the Lake
Graham Ovenden
1974–75
Object number: 1980.020
AH! tu veux te frotter a la presse!! [So! You Want to mess with the Press!!] published in La Caricature, No 152 (plate 319)
AH! tu veux te frotter a la presse!! [So! You Want to mess with the Press!!]
published in La Caricature, No 152 (plate 319)
Honoré Daumier
published October 3, 1833
Object number: 2009.034
The Rechristened Exxon Valdez awaiting sea trials after repairs. National Steel and Shipbuilding Company. San Diego, August 1990. and Lead Fish. Variant of a conference room Designed for the Chiat/Day Advertising Agency. Architect: Frank Gehry. Installation at the Museum of Contemporary Art, Los Angeles. May 1988. from Fish Story
The Rechristened Exxon Valdez awaiting sea trials after repairs. National Steel and Shipbuilding Company. San Diego, August 1990. and Lead Fish. Variant of a conference room Designed for the Chiat/Day Advertising Agency. Architect: Frank Gehry. Installation at the Museum of Contemporary Art, Los Angeles. May 1988. from Fish Story
Allan Sekula
1988-2003
Object number: 2009.047