Skip to main content
Advanced Search
28 Millimeters, Portrait of a Generation, Hold-up, Ladj Ly
28 Millimeters, Portrait of a Generation, Hold-up, Ladj Ly

28 Millimeters, Portrait of a Generation, Hold-up, Ladj Ly

Artist (French, born 1983)
Date2006
Period21st century
MediumGiclée print on paper
DimensionsObject Size: 16 x 22 inches
Credit LinePurchase with funds provided by the Frederick and Martha Lapham Art Acquisition Fund
Object number2012.039
Curatorial DepartmentModern & Contemporary Art
_Place of OriginFrance
Text Entries
digital image
149: Drawer 3
5/21/15     149: Drawer 3
2/10/15     Christian A. Johnson Gallery
6/6/14     149: Drawer 9
JR
French, b. 1983

Ladj Ly (Hold Up), 2006
giclée print on paper
object size: 16 x 22 inches
image size:

Collection of Middlebury College Museum of Art, Vermont
Purchase with funds provided by the Frederick and Martha Lapham Art Acquisition Fund
2012.039
Photo: May Mantell Photography, Vermont, 2014
160
Photo: Jonathan Blake, Vermont
28 Millimètres, Face 2 Face, Holy Triptych
JR
2011
Object number: 2015.004
An Elegant Assembly of Literati from The Peach Blossoms Colony
An Elegant Assembly of Literati from The Peach Blossoms Colony
Yang Yongliang
2011, printed 2015
Object number: 2015.016
Head of Celeste
Head of Celeste
Harry Poole Camden, Jr.
1926
Object number: 1969.018
Untitled [Seated Man with Bowed Head]
Untitled [Seated Man with Bowed Head]
Walter H. Williams Jr.
1951
Object number: 2018.111
Greenland Ice Sheet, 28 June 2009, Adam LeWinter Surveys Birthday Canyon from the portfolio Ice: Portraits of Vanishing Glaciers
Greenland Ice Sheet, 28 June 2009, Adam LeWinter Surveys Birthday Canyon from the portfolio Ice: Portraits of Vanishing Glaciers
James Balog
2009
Object number: 2015.006
Suffragists Not Permitted to Hold Tableaux in Central Park; Hold it Outside
Suffragists Not Permitted to Hold Tableaux in Central Park; Hold it Outside
Anonymous (American)
c. 1915
Object number: 2018.067
Image Not Available for The Camera Never Lies
The Camera Never Lies
Michael Peel
1979
Object number: 1980.013
Photo: Nika Blasser
Four Generations: Iikua Biluxbakush (Self Reliant, Amy Bright Wings Red Star), Báakoosh Kawiiléete (Kind to Everybody, Wallace Red Star), Baaeétitchish (One Who is Talented, Wendy Red Star), Apitebía (Sandhill Crane Woman, Beatrice Red Star Fletcher)
Wendy Red Star
2021
Object number: 2021.008
Image Not Available for Memories of the Southern Civil Rights Movement (portfolio of 28 images plus 8 additional images)
Memories of the Southern Civil Rights Movement (portfolio of 28 images plus 8 additional images)
Danny Lyon
1962–64
Object number: 2001.010
28. Ecola State Park, Clatsop County, Oregon. From Turning Back, A Photographic Journal of Re-exploration
28. Ecola State Park, Clatsop County, Oregon. From Turning Back, A Photographic Journal of Re-exploration
Robert Adams
1999–2003
Object number: 2006.026.028
Atlanta, Georgia from the series Memories of the Southern Civil Rights Movement An anonymous woman, who has come upon a mob abusing demonstrators with kicks, blows, and burning cigarettes. She holds the mob at bay and protects the demonstrators.
Atlanta, Georgia from the series Memories of the Southern Civil Rights Movement
An anonymous woman, who has come upon a mob abusing demonstrators with kicks, blows, and burning cigarettes. She holds the mob at bay and protects the demonstrators.
Danny Lyon
1963-64, winter
Object number: 2001.010.23
93. Curry County, Oregon. . . . the poor joiner, working at his wood, Knew not the tree from which the planks were taken, Knew not the glade from which the trunk was brought, Knew not the soil in which the roots were fast, Nor by what centuries of gales the boughs were shaken, But holds them all beneath his hands at last V. Sackville-West How much more difficult it is to imagine the origin of a sheet of chip board. As John Hay has written, we are “destroyers who are incapable of identifying our victims.”From Turning Back, A Photographic Journal of Re-exploration
93. Curry County, Oregon. . . . the poor joiner, working at his wood, Knew not the tree from which the planks were taken, Knew not the glade from which the trunk was brought, Knew not the soil in which the roots were fast, Nor by what centuries of gales the boughs were shaken, But holds them all beneath his hands at last V. Sackville-West How much more difficult it is to imagine the origin of a sheet of chip board. As John Hay has written, we are “destroyers who are incapable of identifying our victims.”From Turning Back, A Photographic Journal of Re-exploration
Robert Adams
1999–2003
Object number: 2006.026.093