85. A clearcut as seen from within the edge of a “beauty screen,” Clatsop County, Oregon. Timber companies now leave thin strips of woodland along public roads to mask clearcuts. When these deceptions cannot obscure the facts, corporations sometimes employ landscape architects to design clearcuts so that they will mimic the appearance of naturally open areas like meadows and rock slides. To further disguise their work, the forest products industry generates voluminous propaganda. Not many wars, even, have been justified by so much lying. From Turning Back, A Photographic Journal of Re-exploration
Artist
Robert Adams
(American, born 1937)
Date1999–2003
Period20th-21st century
MediumGelatin silver print on paper
DimensionsMat Size: 14 x 18 inches
Credit LinePurchase with funds provided by Kathy and Richard S. Fuld, Jr.
Object number2006.026.085
Curatorial DepartmentModern & Contemporary Art
_Place of OriginUnited States
Robert Adams
1999–2003
Object number: 2006.026.043
Robert Adams
1999–2003
Object number: 2006.026.044
Robert Adams
1999–2003
Object number: 2006.026.045
Robert Adams
1999–2003
Object number: 2006.026.046
Honoré Daumier
October 31, 1841
Object number: 2014.183
Anonymous (Greek)
late 4th–early 3rd century BCE, Late Classical or Early Hellenistic period
Object number: 2009.001