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77. Near Clatskanie, Columbia County, Oregon. Raymond Carver, the short story writer and poet, was born in Clatskanie. His family soon moved, but as a young man he worked in lumber mills in Chester and Eureka, California. The landscapes of industrial forestry are consonant with some of the hard truths about which he wrote. From Turning Back, A Photographic Journal of Re-exploration
77. Near Clatskanie, Columbia County, Oregon. Raymond Carver, the short story writer and poet, was born in Clatskanie. His family soon moved, but as a young man he worked in lumber mills in Chester and Eureka, California. The landscapes of industrial forestry are consonant with some of the hard truths about which he wrote. From Turning Back, A Photographic Journal of Re-exploration

77. Near Clatskanie, Columbia County, Oregon. Raymond Carver, the short story writer and poet, was born in Clatskanie. His family soon moved, but as a young man he worked in lumber mills in Chester and Eureka, California. The landscapes of industrial forestry are consonant with some of the hard truths about which he wrote. From Turning Back, A Photographic Journal of Re-exploration

Artist (American, born 1937)
Date1999–2003
Period20th-21st century
MediumGelatin silver print on paper
DimensionsMat Size: 20 x 25 inches
Credit LinePurchase with funds provided by Kathy and Richard S. Fuld, Jr.
Object number2006.026.077
Curatorial DepartmentModern & Contemporary Art
_Place of OriginUnited States
75. Near Clatskanie, Columbia County, Oregon. Raymond Carver, the short story writer and poet, was born in Clatskanie. His family soon moved, but as a young man he worked in lumber mills in Chester and Eureka, California. The landscapes of industrial forestry are consonant with some of the hard truths about which he wrote. From Turning Back, A Photographic Journal of Re-exploration
75. Near Clatskanie, Columbia County, Oregon. Raymond Carver, the short story writer and poet, was born in Clatskanie. His family soon moved, but as a young man he worked in lumber mills in Chester and Eureka, California. The landscapes of industrial forestry are consonant with some of the hard truths about which he wrote. From Turning Back, A Photographic Journal of Re-exploration
Robert Adams
1999–2003
Object number: 2006.026.075
76. Near Clatskanie, Columbia County, Oregon. Raymond Carver, the short story writer and poet, was born in Clatskanie. His family soon moved, but as a young man he worked in lumber mills in Chester and Eureka, California. The landscapes of industrial forestry are consonant with some of the hard truths about which he wrote. From Turning Back, A Photographic Journal of Re-exploration
76. Near Clatskanie, Columbia County, Oregon. Raymond Carver, the short story writer and poet, was born in Clatskanie. His family soon moved, but as a young man he worked in lumber mills in Chester and Eureka, California. The landscapes of industrial forestry are consonant with some of the hard truths about which he wrote. From Turning Back, A Photographic Journal of Re-exploration
Robert Adams
1999–2003
Object number: 2006.026.076
78. Near Clatskanie, Columbia County, Oregon. Raymond Carver, the short story writer and poet, was born in Clatskanie. His family soon moved, but as a young man he worked in lumber mills in Chester and Eureka, California. The landscapes of industrial forestry are consonant with some of the hard truths about which he wrote. From Turning Back, A Photographic Journal of Re-exploration
78. Near Clatskanie, Columbia County, Oregon. Raymond Carver, the short story writer and poet, was born in Clatskanie. His family soon moved, but as a young man he worked in lumber mills in Chester and Eureka, California. The landscapes of industrial forestry are consonant with some of the hard truths about which he wrote. From Turning Back, A Photographic Journal of Re-exploration
Robert Adams
1999–2003
Object number: 2006.026.078
90. Clatsop County, Oregon. Oregon’s public schools are funded in part by taxes linked to the short-term profits of industrial forestry. It is thus argued that clearcutting is done for the benefit of children. From Turning Back, A Photographic Journal of Re-exploration
90. Clatsop County, Oregon. Oregon’s public schools are funded in part by taxes linked to the short-term profits of industrial forestry. It is thus argued that clearcutting is done for the benefit of children. From Turning Back, A Photographic Journal of Re-exploration
Robert Adams
1999–2003
Object number: 2006.026.090
91. Clatsop County, Oregon. Oregon’s public schools are funded in part by taxes linked to the short-term profits of industrial forestry. It is thus argued that clearcutting is done for the benefit of children. From Turning Back, A Photographic Journal of Re-exploration
91. Clatsop County, Oregon. Oregon’s public schools are funded in part by taxes linked to the short-term profits of industrial forestry. It is thus argued that clearcutting is done for the benefit of children. From Turning Back, A Photographic Journal of Re-exploration
Robert Adams
1999–2003
Object number: 2006.026.091
92. Clatsop County, Oregon. Oregon’s public schools are funded in part by taxes linked to the short-term profits of industrial forestry. It is thus argued that clearcutting is done for the benefit of children. From Turning Back, A Photographic Journal of Re-exploration
92. Clatsop County, Oregon. Oregon’s public schools are funded in part by taxes linked to the short-term profits of industrial forestry. It is thus argued that clearcutting is done for the benefit of children. From Turning Back, A Photographic Journal of Re-exploration
Robert Adams
1999–2003
Object number: 2006.026.092
A la porte de l’Élysée. -Messieurs, le Prince m’a chargé de vous dire qu’il n’y était pas! -Comment! est-ce qu’il ne voudrait plus suivre nos conseils! -Non, il prétend que vous l’avez assez fourré dedans comme ça….. -Malheureuse France! malheureux Prince! [At the door of the Elysée. -Gentleman, the Prince has ordered me to say that he is not in today. -Does this mean he will not follow our advice any longer? -No, he claims you have let him down long enough… -Too bad for France! Too bad for the Prince!] from the series Actualités, number 29, published in Le Charivari
A la porte de l’Élysée. -Messieurs, le Prince m’a chargé de vous dire qu’il n’y était pas! -Comment! est-ce qu’il ne voudrait plus suivre nos conseils! -Non, il prétend que vous l’avez assez fourré dedans comme ça….. -Malheureuse France! malheureux Prince!
[At the door of the Elysée. -Gentleman, the Prince has ordered me to say that he is not in today. -Does this mean he will not follow our advice any longer? -No, he claims you have let him down long enough… -Too bad for France! Too bad for the Prince!]
from the series Actualités, number 29, published in Le Charivari
Honoré Daumier
published November 22, 1850
Object number: 1986.047
An exhibition of drawings in the Gorky Park of Culture and Rest. During my whole stay in Moscow, I never saw another person who looked like this visitor. I don't know who he was, nor whence he came. One thing is sure: he was there.
An exhibition of drawings in the Gorky Park of Culture and Rest. During my whole stay in Moscow, I never saw another person who looked like this visitor. I don't know who he was, nor whence he came. One thing is sure: he was there.
Henri Cartier-Bresson
1954
Object number: 2016.204
James Forman, like many of the SNCC field staff, was a powerful stump speaker. Here he works the crowd at the Danville mass meeting. An hour later he will be searched by police holding shotguns and automatic weapons from the series Memories of the Southern Civil Rights Movement
James Forman, like many of the SNCC field staff, was a powerful stump speaker. Here he works the crowd at the Danville mass meeting. An hour later he will be searched by police holding shotguns and automatic weapons from the series Memories of the Southern Civil Rights Movement
Danny Lyon
1963, printed later
Object number: 2015.143
Image Not Available for Heath Family, Heath Lumber Mill, North Hyde Park
Heath Family, Heath Lumber Mill, North Hyde Park
Peter Miller
2017
Object number: 2024.021
Poet and Writer Sergei Tretyakov
Poet and Writer Sergei Tretyakov
Aleksandr Rodchenko
1928/printed 1994
Object number: 2014.254
De qué mal morirá [Of what illness will he die?] from the series The Return to Goya’s Caprichos
De qué mal morirá [Of what illness will he die?] from the series The Return to Goya’s Caprichos
Enrique Chagoya
1999
Object number: 2008.019.07