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Place de la Concorde
Place de la Concorde

Place de la Concorde

Artist (American, 1890 – 1976)
Date1926
Period20th century
MediumGelatin silver print (vintage)
DimensionsImage Size: 11 5/8 x 9 inches
Mat Size: 16 x 20
Object Size: 11 5/8 x 9 inches
Credit LinePurchase with funds provided by the Christian A. Johnson Memorial Art Acquisition Fund
Object number1998.023
Curatorial DepartmentModern & Contemporary Art
_Place of OriginUnited States
Le grand champ de l'herbe, lieu electif pour un dialogue de la femme avec les oiseaux [The Large Field of Grass, Elective Place for a Dialogue of the Woman with the Birds] from the portfolio L'Enchantement de l'été [The Enchantment of Summer]
Le grand champ de l'herbe, lieu electif pour un dialogue de la femme avec les oiseaux [The Large Field of Grass, Elective Place for a Dialogue of the Woman with the Birds] from the portfolio L'Enchantement de l'été [The Enchantment of Summer]
Corneille
1977
Object number: 1979.012
Place de la Bastille
Place de la Bastille
Eugène Atget
1910
Object number: 1999.004
Sont-il fade!… regarde donc comme ils s’en sauvent!…. ce que c’est de ne pas vivre dans une chose!!!…. Mes petits amours, quand vous repasserez faudra prévenir, on vous brûlera des pastilles du Sérail….. [How silly! Just look how they run. That’s what you get when you are in the wrong place. Just you wait! Next time, tell us in advance and we’ll take good care of you…] from the series Émotions Parisiennes [Parisian Emotions], number 1, published in Le Charivari.
Sont-il fade!… regarde donc comme ils s’en sauvent!…. ce que c’est de ne pas vivre dans une chose!!!…. Mes petits amours, quand vous repasserez faudra prévenir, on vous brûlera des pastilles du Sérail…..
[How silly! Just look how they run. That’s what you get when you are in the wrong place. Just you wait! Next time, tell us in advance and we’ll take good care of you…]
from the series Émotions Parisiennes [Parisian Emotions], number 1, published in Le Charivari.
Honoré Daumier
published July 14, 1839
Object number: 1981.013
Image Not Available for Antone Noah’s summer fishing place at Un’sekat (near Zoar), Labrador
Antone Noah’s summer fishing place at Un’sekat (near Zoar), Labrador
William Brooks Cabot
1903, August
Object number: 1997.035.04
89. Clatsop County, Oregon. . . . the trees have risen one more time and the night wind makes them sound like the sear that is yet unknown the black clouds race over the moon the rain is falling on the last place. W. S. Merwin From Turning Back, A Photographic Journal of Re-exploration
89. Clatsop County, Oregon. . . . the trees have risen one more time and the night wind makes them sound like the sear that is yet unknown the black clouds race over the moon the rain is falling on the last place. W. S. Merwin From Turning Back, A Photographic Journal of Re-exploration
Robert Adams
1999–2003
Object number: 2006.026.089
St. Lukes Place, New York
St. Lukes Place, New York
Todd Webb
1956
Object number: 2017.363
Image Not Available for The Peoples Republic of China, Fujian Province, A Student Finds a Quiet Place To Practice His Violin
The Peoples Republic of China, Fujian Province, A Student Finds a Quiet Place To Practice His Violin
James P. Blair
1982
Object number: 2020.042
Las camas de la muerte [The beds of death], Plate 62, from Los Desastres de la Guerra [The Disasters of War]
Las camas de la muerte [The beds of death], Plate 62, from Los Desastres de la Guerra [The Disasters of War]
Francisco Goya y Lucientes
1810–1814; later printing
Object number: 1969.029
–Comment, Madeleine, avez-vous accepté un morceau pareil?…. –Madame, le boucher m’a dit comme ça que le commerce de la boucherie allait être libre et que c’est pourquoi qu’y commençait par prendre la liberté de m’donner c’morceau-là!……. [-Madeleine, how could you ever accept a piece of meat like this one?… -Madame, the butcher told me that the meat commerce will be free, therefore he took the liberty of giving me this piece!…] from the series Actualités, number 463, published in Le Charivari
–Comment, Madeleine, avez-vous accepté un morceau pareil?….
–Madame, le boucher m’a dit comme ça que le commerce de la boucherie allait être libre et que c’est pourquoi qu’y commençait par prendre la liberté de m’donner c’morceau-là!…….
[-Madeleine, how could you ever accept a piece of meat like this one?…
-Madame, the butcher told me that the meat commerce will be free, therefore he took the liberty of giving me this piece!…]
from the series Actualités, number 463, published in Le Charivari
Honoré Daumier
published November 30, 1857
Object number: 1968.010
Hôtel de la Comtesse de Verrue, Rue du Regard
Hôtel de la Comtesse de Verrue, Rue du Regard
Eugène Atget
c. 1900-20
Object number: 1999.005
Manière polie de mettre un bourgeois à la porte d’un atelier, lui jouer quarante sept fois de suite l’air de la Monaco. [A polite way of showing a citizen to the studio door by playing him the air from the Monaco suite forty-seven times.] from the series Scènes d’Ateliers, number 3, published in Le Charivari
Manière polie de mettre un bourgeois à la porte d’un atelier, lui jouer quarante sept fois de suite l’air de la Monaco.
[A polite way of showing a citizen to the studio door by playing him the air from the Monaco suite forty-seven times.]
from the series Scènes d’Ateliers, number 3, published in Le Charivari
Honoré Daumier
published June 21, 1850
Object number: 2014.204
Fontes des Statues Équestres, Planche 8: La figure équestre, formée en cire, avec la ratification entière de ses jets, de ses évents, etc. etc.
Fontes des Statues Équestres, Planche 8: La figure équestre, formée en cire, avec la ratification entière de ses jets, de ses évents, etc. etc.
Robert Bénard
1805
Object number: 1982.003