Skip to main content
Advanced Search
May 23–May 25, 1968, Fillmore Auditorium, San Francisco Yardbirds, It’s a Beautiful Day, Cecil Taylor
May 23–May 25, 1968, Fillmore Auditorium, San Francisco Yardbirds, It’s a Beautiful Day, Cecil Taylor

May 23–May 25, 1968, Fillmore Auditorium, San Francisco
Yardbirds, It’s a Beautiful Day, Cecil Taylor

Artist (American, born 1941)
Date1968
Period20th century
MediumLithograph on paper
Credit LinePurchase with funds provided by the Electra Havemeyer Webb Memorial Fund
Object number2018.050
Curatorial DepartmentModern & Contemporary Art
May 31–June 1, 1968, Fillmore Auditorium, Winterland Ballroom, San Francisco The Chambers Brothers, Buffalo Springfield, Richie Havens
May 31–June 1, 1968, Fillmore Auditorium, Winterland Ballroom, San Francisco
The Chambers Brothers, Buffalo Springfield, Richie Havens
Lee Conklin
1968
Object number: 2018.051
July 25-July 30, 1967, Fillmore Auditorium, San Francisco Yardbirds, The Doors, James Cotton Blues Band, Richie Havens
July 25-July 30, 1967, Fillmore Auditorium, San Francisco
Yardbirds, The Doors, James Cotton Blues Band, Richie Havens
Bonnie MacLean
1967
Object number: 2018.048
October 3–5, 1968, Fillmore West, San Francisco Canned Heat, Gordon Lightfoot, Cold Blood
October 3–5, 1968, Fillmore West, San Francisco
Canned Heat, Gordon Lightfoot, Cold Blood
Lee Conklin
1968
Object number: 2018.053
April 19-April 21, 1968, Avalon Ballroom, San Francisco Steppenwolf, Charley Musselwhite, The Fourth Way, Indian Head Band
April 19-April 21, 1968, Avalon Ballroom, San Francisco
Steppenwolf, Charley Musselwhite, The Fourth Way, Indian Head Band
Robert Fried
1968
Object number: 2018.049
June 7–June 9, 1968, Avalon Ballroom, San Francisco Iron Butterfly, Velvet Underground, Chrome Cyrcus
June 7–June 9, 1968, Avalon Ballroom, San Francisco
Iron Butterfly, Velvet Underground, Chrome Cyrcus
Bob Schnepf
1968
Object number: 2018.052
Cliff. Moonlight Creek, San Juan River. May 23, 1962 from Glen Canyon
Cliff. Moonlight Creek, San Juan River. May 23, 1962 from Glen Canyon
Eliot Furness Porter
1962/1980
Object number: 2013.023.02
The Rechristened Exxon Valdez awaiting sea trials after repairs. National Steel and Shipbuilding Company. San Diego, August 1990. and Lead Fish. Variant of a conference room Designed for the Chiat/Day Advertising Agency. Architect: Frank Gehry. Installation at the Museum of Contemporary Art, Los Angeles. May 1988. from Fish Story
The Rechristened Exxon Valdez awaiting sea trials after repairs. National Steel and Shipbuilding Company. San Diego, August 1990. and Lead Fish. Variant of a conference room Designed for the Chiat/Day Advertising Agency. Architect: Frank Gehry. Installation at the Museum of Contemporary Art, Los Angeles. May 1988. from Fish Story
Allan Sekula
1988-2003
Object number: 2009.047
Untitled from Center for Photographic Studies; Invitational Portfolio One, May 1972
Untitled from Center for Photographic Studies; Invitational Portfolio One, May 1972
Cal (Lee) Kowal
1972
Object number: 1992.018.05
Avant que la lune n'apparaisse le soleil déverse son sang sur l'herbe [Before the Moon Appears the Sun Pours Its Blood on the Grass] from the portfolio L'Enchantement de l'été [The Enchantment of Summer]
Avant que la lune n'apparaisse le soleil déverse son sang sur l'herbe [Before the Moon Appears the Sun Pours Its Blood on the Grass] from the portfolio L'Enchantement de l'été [The Enchantment of Summer]
Corneille
1977
Object number: 1979.013
Séance de nuit. Passé sept heures du soir, les petits ne se hasardent pas à sortir de la salle sans les grands. [Night session. In the evening after 7 o’clock, the little one is afraid to leave the hall without the big one.] from the series Physionomies de l’Assemblée [Parade of the Deputies], number 23, published in Le Charivari
Séance de nuit. Passé sept heures du soir, les petits ne se hasardent pas à sortir de la salle sans les grands.
[Night session. In the evening after 7 o’clock, the little one is afraid to leave the hall without the big one.]
from the series Physionomies de l’Assemblée [Parade of the Deputies], number 23, published in Le Charivari
Honoré Daumier
published February 23, 1850
Object number: 1981.014
Ceci vous représente un grand combat qu’on peut croire commandé par le Général Croque Betterave! qui n’entrera pas au Musée historique de Versailles, et qui doit servir de pendant à la Bataille de Cannes. [This is a representation of a great battle commanded by General Sugar cracker (beetroot). It will probably not make its way into history (will not enter the Historical Museum of Versailles) but one can already see a certain similarity to the battle of Cannes.] from the series Actualités, number 4, published in Le Charivari
Ceci vous représente un grand combat qu’on peut croire commandé par le Général Croque Betterave! qui n’entrera pas au Musée historique de Versailles, et qui doit servir de pendant à la Bataille de Cannes.
[This is a representation of a great battle commanded by General Sugar cracker (beetroot). It will probably not make its way into history (will not enter the Historical Museum of Versailles) but one can already see a certain similarity to the battle of Cannes.]
from the series Actualités, number 4, published in Le Charivari
Honoré Daumier
published September 20, 1839
Object number: 1981.023
Jean Genet and Black Panthers at May Day Demonstration, New Haven, Connecticut, USA
Jean Genet and Black Panthers at May Day Demonstration, New Haven, Connecticut, USA
Leonard Freed
1970
Object number: 2014.133