![Vue de ce qui reste encore des Murs A. de l'Ancienne Ville de Pesto . . .
[View showing the remains of the ancient city walls A. of Pesto [Paestum] . . .] from Différentes vues . . . de Pesto](/internal/media/dispatcher/844/preview)
Vue de ce qui reste encore des Murs A. de l'Ancienne Ville de Pesto . . .
[View showing the remains of the ancient city walls A. of Pesto [Paestum] . . .] from Différentes vues . . . de Pesto
Artist
Giovanni Battista Piranesi
(Italian, 1720–1778)
Date1777–78/19th century restrike
Period18th century
MediumEtching on paper
DimensionsImage size: 19 1/8 x 27 inches (48.6 x 68.6 cm)
Object size: 22 x 30 1/2 inches (55.9 x 77.5 cm)
Object size: 22 x 30 1/2 inches (55.9 x 77.5 cm)
Credit LineGift of Cecil A. Howard
Object number1979.030
Curatorial DepartmentEuropean Art (pre 1900)
_Place of OriginItaly
![Vue interieure du Collège supposé des Anfictions [Interior view of the so-called College of the Amphictyons] from Différentes vues . . . de Pesto](/internal/media/dispatcher/838/thumbnail)
Giovanni Battista Piranesi
1777–78/19th century restrict
Object number: 1979.023
![Sepolcro della Familia de Sipioni [Tomb of the Scipios], Platte 18 from Alcune vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte di quali se veggona in Roma e parte per l’Italia](/internal/media/dispatcher/206/thumbnail)
Giovanni Battista Piranesi
1748
Object number: 1969.004
![Jérusalem, Via Dolorosa, Reste antique [Via Dolorosa Street, Ancient Remains]](/internal/media/dispatcher/2141/thumbnail)
Auguste Salzmann
1854
Object number: 2004.068
![Sont-il fade!… regarde donc comme ils s’en sauvent!…. ce que c’est de ne pas vivre dans une chose!!!…. Mes petits amours, quand vous repasserez faudra prévenir, on vous brûlera des pastilles du Sérail…..
[How silly! Just look how they run. That’s what you get when you are in the wrong place. Just you wait! Next time, tell us in advance and we’ll take good care of you…]
from the series Émotions Parisiennes [Parisian Emotions], number 1, published in Le Charivari.](/internal/media/dispatcher/893/thumbnail)
Honoré Daumier
published July 14, 1839
Object number: 1981.013
![Ce qui adviendrait si l’on voulait tenter de nouveau le passage du Rubicon.
[What would happen if one desired to attempt a new crossing of the Rubicon.]
from the series Actualités, number 255, published in Le Charivari](/internal/media/dispatcher/389/thumbnail)
Honoré Daumier
published November 22, 1851
Object number: 1971.004
Auguste Salzmann
1854
Object number: 2004.061
![Les Propylées: Vue prise du rocher de l’Aréopage [The Propylaea: View taken from the Areopagus], from the portfolio L’Acropole d’Athène [The Acropolis of Athens]](/internal/media/dispatcher/6843/thumbnail)
![Ceci vous représente un grand combat qu’on peut croire commandé par le Général Croque Betterave! qui n’entrera pas au Musée historique de Versailles, et qui doit servir de pendant à la Bataille de Cannes.
[This is a representation of a great battle commanded by General Sugar cracker (beetroot). It will probably not make its way into history (will not enter the Historical Museum of Versailles) but one can already see a certain similarity to the battle of Cannes.]
from the series Actualités, number 4, published in Le Charivari](/internal/media/dispatcher/903/thumbnail)
Honoré Daumier
published September 20, 1839
Object number: 1981.023
![“Ou peut on être mieux (bis) “Qu’au sein de sa famille….” Ces trois artistes se trouveraient mieux a sein de cabaret, et leur jeune associé au sein d’une partie de billes. [“Where can one be happier (bis) than in the bosom of the family?” These three artists would be better off in the bosom of the cabaret, and their young associate at a game of marbles.]
from the series Les Musiciens de Paris, number 5, published in Le Charivari](/internal/media/dispatcher/5045/thumbnail)
Honoré Daumier
published February 20, 1843
Object number: 2014.185